Modern Heirloom Books

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Life Story Links: August 23, 2022

“Talk to those older generations. We sometimes dismiss that—we say, ‘Oh Grandma, she’s told the same story twenty times.’ Give her a prompt. Say ‘Grandma, what do you remember about shoes?’ … then the narration starts happening. Then the stories start happening.”
—Lisa Elzey

Vintage photo of a Regal movie theater in Southside, Chicago, April 1941. Photograph by Russell Lee, originally for the Office of War Information, courtesy of The Library of Congress Prints and Photographs Division Digital Collection.

In memorium

AN NBA LEGEND’S OBIT
““If he was out dining and got approached by someone asking for his signature, [Bill] Russell’s usual response was to instead ask the person to join him at the table to have a conversation about life. The autograph-seekers almost always declined. Oh, the stories they missed.” Here, photos help tell his personal history.

SHOOTING FOR THE STARS
StoryCorps mourns the passing of Nichelle Nichols, a Black American actress best known for her portrayal of Nyota Uhura in Star Trek. “Her career showed people of all races a future of possibility. Among those she inspired was a young Ronald E. McNair, who became the second Black person to enter space”:

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EXPLORER OF AMERICA’S PAST
David McCullough, who said he thought of writing history as an art form, died last week. His obituary tells some of his story. “People often ask me if I’m working on a book,” he once said. “That’s not how I feel. I feel like I work in a book.”

The art—and value—of legacy-making

LET’S FLIP THE SCRIPT
It’s a common but wrong assumption that we’ve all heard as personal historians—that telling one's own stories is “narcissistic” or “self-centered.” Recently I wrote about why, in reality, it is an act of generosity.

THE CRAFT OF PERSONAL STORYTELLING
Storytelling School with The Moth is in session with a story about family and home told by Mariam Bazeed: Watch her story performance, then learn about the principles of ‘show don't tell’ and setting up ‘the world as it was.’

PRO BOOK DESIGN TIPS
Family photos aren’t the only images worth including in your family history or personal life story book. Consider including maps, family tree charts, and beautifully styled shots of your family heirlooms to elevate your book.

First person reads worth your time

WEAVING HIS PARENTS’ LIVES INTO A NARRATIVE
My parents’ American addresses are a history of friendships and acquaintances: a spare room in someone’s attic, visits to family friends whom they’d heard about but never actually met, a summer job in a small town a few hours away, an opportunity in an unfamiliar, emerging field.”

TRUE STORY, WELL TOLD
“‘We are hearty buggers!’ Jane yelled to the sky.” Wisconsin–based personal historian Sarah White writes this slice-of-life reminiscence about weathering a storm—with tumblers of wine and the comfort of fire—with a friend.

“DON’T DESCRIBE IT, REMEMBER IT”
“A lovely day… I wish it meant something to me, but I am here for the wrong reason, and Venice is like a travel film through which I sit, impatient, waiting for something important.” Mavis Gallant was a dedicated diarist for 55 years; here, take a peek into passages from 1954.

WRITING THE TRUTH
“None of us, other than time-travelers and clairvoyants, can know the future, and most of us have difficulty making sense of our past.” William Dameron on why he wrote his memoir despite discouragement.

In conversation: asking, listening, making space

THE MEMORY GENERATION
“I’m really interested through The Memory Generation of saying, how do we make the past more present in our present? And in what ways might we do that in a shared experience with others?” oral historian Stephen D. Smith says of the podcast he co-created with Rachael Cerrotti. Find the latest episode here.

PERSONAL HISTORY Q&A
“Experienced personal historians combine the expertise of active listening, archiving of artifacts, genealogy, narrative writing, ghost-writing, book production, self-publishing, and more,” reads the introduction to this fun and informative interview with Connecticut–based professional Sarah Merrill.

TIME IS A COMMODITY
“I thought I had time to sit across a table from him and share stories. We had only ever skimmed the surface. We never had really captured his narrative the way I wanted to know it. Yet here we were, boarding an airplane to meet him at his final resting place instead.”

THE MAGIC OF STORY
“I can’t wait to foist this book on everyone,” Anne Lamott says of Between the Listening and the Telling: How Stories Can Save Us, a new book by Mark Yaconelli. Listen in as they discuss the transformational nature of stories:

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Tokens of memory

WAYS OF LOOKING AT FAMILY
Maud Newton, author of Ancestor Troubles, says that many old family photos fed into her “obsession with ancestors.” Here she discusses visual inspirations for her memoir, including two specific old photos and a will bequeathing 12 slaves.

STEPPING INSIDE A PHOTOGRAPH
Musician Kevin Morby talks about how photography inspired his latest album, how he found ways to immerse himself in the memories of family, friends, and famous people, and how those memories became songs.

PUBLIC ACCESS
“The name of the game for any archive is to preserve and make available.” How the St. Louis Kaplan Feldman Holocaust Museum is making every Holocaust story, memory, and artifact in their collection sharable.

Looking back, finding meaning

A PORTAL BETWEEN TWO ERAS
Three Minutes: A Lengthening explores “the ways in which moving images can bring the past into the present, connecting us with human beings whose time on Earth was brutally cut short.” Watch the trailer:

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THE MEMORY METAVERSE
“While studies suggest that traditional reminiscence therapy can significantly improve the well-being of older people, V.R. has the potential to make it more immersive and impactful. By putting on a headset, Mr. Faulkner could walk along the virtual Cliffs of Moher in western Ireland, just as he’d done with his wife several years earlier.”

“A MAP FOR THE MISSING”
“How do we fill spaces when there are deaths in our lives, or when we have people in our lives who don’t give us the answers, or who don’t give us the clarity that we’re looking for?” An interview with Belinda Huijuan Tang, who turned to fiction to help fill in the gaps in her own family history.

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Short takes

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