Life Story Links: June 18, 2024

“…writing your life story is not painful, not morbid, and not a sign of vanity. Instead, it is an exercise that will enrich your life and the lives of those who read and learn from it.”
—James R. Hagerty

Vintage photograph of woman picking carrots in Camden County, New Jersey, in October 1938, by Arthur Rothstein, courtesy Farm Security Administration, Office of War Information Photograph Collection Repository, Library of Congress Prints and Photographs Division.

Preserving for posterity

REFRAMING OUR STORIES
“My stories are grounded in grief; they are wrapped up in being widowed young or in my family’s Holocaust survival story,” Rachael Cerrotti writes. In this piece she confronts “certain narratives of self” and offers up inspiring writing prompts connected to three podcast guests with different insights about the stories we tell ourselves—there’s lots of great stuff to digest here!

AN INVITATION TO REMEMBER
I spoke with Melissa Ceria of the thought-provoking podcast The Loss Encounters about discovering the richness of our lives through storytelling. Listen in below, or click here to read a transcript and find more in-depth episodes about what we create from loss. (This short episode was inspired by an autobiographical book Melissa’s father bequeathed to his family.)

EVER AFTER?
“Several companies have emerged in the last few years to develop grief-related technology, where users can interact with an AI version of the deceased—but will that help with grief?”

The craft of life writing

WHAT WE REMEMBER
Last week I wrote about why I chose not to recommend one recent life writing book—and while I don’t mention the book’s title or author, I do share the reasons it didn’t make the grade.

GETTING TO KNOW YOU
Having come from a magazine background, I have a particular affinity for a well-written feature profile, and view the form as a cousin to longer-form biographic writing. In this excerpt from What Makes Sammy Jr. Run?, editor Alex Belth hones in on “the golden age of the celebrity profile.”

CONNECTING THROUGH STORY
CBS Mornings’ David Begnaud interviews Louisiana ghostwriter Olivia Savoie about how one series of client personal history interviews led to a special friendship.

Deep thoughts on memoir and biography

FASCINATION, OBSESSION, INFATUATION…
When the famously elusive Elaine May fails to respond to any of a writer’s pleas for interviews, the would-be biographer, Carrie Courogen, “wondered how a person could have such little interest in or curiosity about the person daring to write the story of their life.”

WRITING AS TEACHER AND FRIEND
“Writing feels inadequate, but it is also how you keep your parents alive—in your own memory at least, which is the best you can do until you can get something published.” Grace Loh Prasad on the memoir that took her more than 20 years to write.

LIMITATIONS OF AUTOBIOGRAPHY
“‘The point of view in a memoir is curious,’ [Jill] Ciment writes. ‘The writer must trick the reader (and herself) into believing that she actually remembers how she felt decades ago. A memoir is closer to historical fiction than it is to biography.’”

THE INHERITED WEIGHT OF EXPERIENCES
“The more we learn about how our body and mind work together to shape our experience, the more we can see that our life story is woven into our biology. It’s not just our body that keeps the score but our very genes.”

Family history, community history

DISCOVERING HER ROOTS
“How odd and surprising it might be, to chance upon a part of your own history on museum walls.” How one woman connected with her family, past and present, through the photographs of two men.

FROM FIRE HAZARDS TO FAMILY TREES
“We create maps to make the unfamiliar familiar. To show us how to get home.” This is a wonderfully interesting look at the history and afterlife of the Sanborn fire insurance maps, which have been reclaimed by historians and genealogists seeking proof of the vanished past.

‘COMMON PEOPLE’S HISTORY’
These four entities act as modern digital archives of personal histories in India, preserving stories as diverse as those covering tattoos and homes, family traditions and family heirlooms, through both images and oral histories.