Life Story Links: October 23, 2019
“Stories of grief, stories of war, stories of love and loss and heartbreak, they’ve all been told. There is no new story under the sun. But every single telling of a story is its own individual snowflake of a story, always.”
—Dani Shapiro
Photograph by Toni Frissell: Five Women, originally published in Vogue, August 1935, courtesy Library of Congress Prints and Photographs Division.
Connecting the Past…
“DEAR FRIEND,” BERLIN, 1934
Lisa Lombardi O’Reilly, a personal historian in Carpinteria, California, discovered an old pen pal letter her grandmother had stashed away, and in it a glimpse into how history touches us all.
ARCHIVING YOUR FAMILY HISTORY
As a presenter at the Virtual Genealogy 2019 Conference (coming to your computer or mobile device November 1–3) Denise May Levenick will discuss best practices in caring for your family photos, papers, and memorabilia in “Preserving the Past: Archiving and Digitizing Your Family Keepsakes.”
…and Our Present
THE TRUTH ABOUT ANY OF US
“We can hang mirrors, as Virginia Woolf advised, at every corner—we can look at our subject’s face at every angle and in every light.... But never, never, can we see enough,” Iris Origo muses about the nature of biography and truth in this excerpt from Images and Shadows: Part of a Life.
RX FOR CONNECTION
Preoccupied with the idea of "the loneliness epidemic," I have been immersing myself in media that prompts genuine connection. Here, a few book and podcast recommendations to inspire face-to-face communication.
FROM THE BEYOND
“Parents tell their children complicating facts in dribs and drabs, if at all. Sometimes, they do so judiciously, meaning they’re ready for the ensuing questions a disquieting bit of family history will stir.” Oscar Villalon on the many ghosts we call family.
...and a Few More Links
Nnedi Okorafor on narrating her memoir
Elton John’s new memoir, simply entitled Me, is called ““hilariously self-lacerating.”
In the recently re-opened MoMA, home movies take center stage in “Private Lives Public Spaces.”
When real-life people and details inform a “fictional” narrative
Short Takes
